Urban Sketchers Symposium in Manchester, England

We arrived in Manchester the day before the symposium was to begin.   We checked into our hotel and went out exploring to find the location of the symposium and of some of my workshops. Everything was very walkable from our hotel.

We passed this view on the way to the school each day.

Manchester is a wonderful combination of old and new.

This architecture building on the campus had prisms of glass that  change from yellow to violet, depending on the light outside.

This was the Benzie Building where we met each morning.

I met some early-arriving sketchers and did a quick sketch part of a nearby building.

In the evening, we joined several other Urban Sketchers for a Drink at Draw at a colorful green tiled pub, Peveril of the Peak. I met new people and connected with people I knew from other symposiums  and gatherings, but I didn't do the sketch until the next day.

The building is such an odd shape that no matter how it's drawn, the perspective looks off.

One view  of the ever-changing sky from our hotel room above a canal. 

Our other hotel room window faced the fabulous Palace Hotel.

The Symposium officially started at the elegant Town Hall where we heard welcoming speeches, drank wine, and met new and old sketchers accompanied by the music of a string quartet. I was too busy chatting to draw like some of my fellow sketchers and somehow I didn't even manage a photo of the beautiful, ornate ballroom.

The next morning, the day started with a gathering of all the participants (470) and a greeting. Then we gathered in our groups at a nearby park. 

In my first workshop, 'Capturing the Crowd: People in Public Spaces', we walked to the Manchester Town Hall where we practiced drawing people in motion with Jim Richards. We decided that people would look best if drawn loosely and some music and some alcohol would aid that process.

After drawing  a crowd, we used those proportions to add the background architecture and surroundings. 

It was an excellent workshop and we worked steadily, sheltered from the rain, but I didn't finish my sketch while I was there.

Later, at home in Portland, I kept working on it, trying to apply the principles that Jim Richards taught us.

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After warming up over hot soup in a noodle bar with a couple of other sketchers, I headed back to the school for my afternoon workshop with Suhita Shirodkar. This workshop had a similar theme to the morning one, 'People and Places: Life in Contrast.' We again found an overhang to tuck into to draw people moving, but this time they were moving quite rapidly as the rain was heavier. Some of us went inside to draw people and one of our fellow sketchers even did one minute poses for us. In the second part of the workshop, we were to add context to our people sketches. Suhita, like James Richards, draws people first, but in her case she does it so if she isn't pleased with the person sketch, she can toss it out before attempting the more time-consuming architecture.

Friday's workshop was 'From Macro to Micro-a visual story of a building' and Nina Johanssen taught this from the scene of the John Rylands Library. I've admired Nina's work for years and it was a pleasure to learn from her. Under the protection of a tree, I tried to capture the large shapes of the complex and interesting building. 

For the second part of the workshop, we escaped the rain and went inside to draw details to accompany our macro sketches. I focussed on some repeating rose patterns on the walls and furniture as well as the statue of Mrs. Ryland with her watchful eyes.

I finished this sketch on site, but I added another coat of red to the building using the Yorkshire stone pigments that I bought from Symposium vendors

I joined another sketcher for an outdoor lunch at the Manchester Town Hall. Although it still rained off and on, we dined under an awning and then bought tickets for a Manchester Jazz event, our next activity.  Caroline Johnson ushered a group into a tent and we chose seats near the stage so that we could sketch musicians as they performed. I decided to use my multicolored pencil as I seem to draw a little looser with this unpredictable tool. It was a familiar pleasure to sit and draw to music.

The audience, including many sketchers

I had another activity scheduled soon after the concert, but I ran into another sketcher friend and we relaxed and caught up in the Manchester Library and I didn't make it back to the school.

On the final morning of the symposium, the sky was clear and we were sketched at the Oxford train station, right around the block from our hotel. Richard Briggs taught the workshop, 'What to Leave Out, What to Leave In: Capturing a Sense of Place.' After a demo, Richard had us spend 20 minutes walking around the site, deciding what we wanted to sketch and to say about our place. This was a very thought-provoking workshop for me, because I don't usually spend so much time thinking before drawing and I don't often think about what I want to say in my sketch.

As I walked around, I first noticed simply visual things: arches, circles on gates, circular patterns of stones, but this led me to think more about people going in and out of the train station, traveling...and I realized that I wanted to do more than just record things that visually appealed to me. Then i noticed cranes, wind blades and the solar panels on buildings nearby, all elements familiar to me as a Portlander.  Next, I saw the bicycles and that clinched it: i decided to include things in my sketch that were similar about Manchester and Portland and that showed the changing character of the city.

As we shared our sketchers, people started arriving for Comic Con, but the waddling Pokemon was too late to make it into my sketch.

My final activity was 'Lettering, Line and Balance' with Pat Southern-Pearce. I've been admiring and studying Pat's beautiful sketches and writing for over a year,  so it was wonderful to learn from her and to look through her lovely sketchbooks. 

We practiced lettering examples from Pat's excellent examples and then looking out the windows, we drew a panorama using our "biro's" (ballpoint pens).  Next, using a pen with a heavier line, we added to the panorama. Then we added boxes of text and accents. In a short amount of time, the group had some stunning results.

After a quick trip back to the hotel, passing my favorite Manchester sky view another time, we returned for a final sketch crawl.

I didn't have much energy to keep sketching.

All of us gathered for a huge final photo...

...and then it was back to the Benzie Building for the ending celebration with an auction of sketches, ,goodbyes and hugs, drinks and appetizers and music and dancing.

Unfortunately, with all the activity, we weren't able to get all the Portlanders together, but Lapin stood in for the missing ones. 

Manchester Street Scene

The memories for the symposium will stay with me for a long time and I'll be spending at least as much time trying to apply the things that I was taught. It was a wonderful experience in so many ways. I'm already looking forward to the next one in Chicago.

York

As part of a UK trip this summer, we spent a few days in the charming city of York.

The Minster is the beacon of the city and we had a terrific view of its towers from our beautiful hotel room.

There was always lots happening by the Minster, including this Viking Bachelorette Party.

The Charter House, which is attached to the Minster, has a pointed peak that covers a sunburst dome on the interior. 

By day, the park beside the minster was a lovely place to sit and sketch...

...and by night, there was still enough lamplight for a quick sketch.

 After a few quiet days in York, we packed up and headed for Manchester, for the 7th International Urban Sketchers Symposium.

Next post: Manchester!

Serenity and Sketching at Lan Su Chinese Garden

I've made a couple of trips to the Lan Su Chinese Garden this month. It's such a peaceful and idyllic spot with meandering paths,  ancient stones, lovely plants and flowers, places for contemplation, and the gentle sound of flowing water. I never get tired of coming here, but I sometimes run out of time. The final details on this sketch were added at home at our front table.

I drew the boat in the lily pond, but went back another time to get a better view of the lilies.

How do you sketch the scent of gardenias?

I drew the side of the teahouse from a quiet, shady corner outside. A musician stopped to look at my sketch and soon afterward I heard his music coming through the open window.

Later, I decided that the sketch needed at least some color that surrounded it.

How do you sketch the sounds from a lute?

Finally, for this one, I sketched a pavilion and rooftops from inside another. pavilion. 

As I sketched this, a Chinese American visitor from Seattle told me that this garden applied the feng shui principles of a traditional Chinese Garden. His two little daughters were busy taking photos and watching the koi. I should have sketched them, too!

Sketching in the West Side of Portland

This old fire station in NW Portland is under construction as it's being converted into a residence. Besides the sign, an old telegraph box has also been preserved. 

A block away, an old Victorian peeks out between the trees. In my college days, I lived a couple of blocks from here. Then it was a neighborhood largely made up of students and very old people. Now there are lots of high-end shops, several popular restaurants, and many lovely, restored homes. It's always been charming, just in different ways.

I've always liked this gate to apartments in the Pearl District. This is just a few blocks from where I worked when I was in college. Then, the neighborhood was made up of offices, warehouses, and small businesses and there were very few places to grab a lunch. Now there are apartments and condos,  restaurants, shops, art galleries,  public parks, and lots of lively people.

This is a corner of the Studio Building, a downtown building that now houses Pastini, a tasty Italian restaurant.  At one time, this building ( 1928)  held rehearsal spaces as well as studios for musicians. The frieze around the building has busts of several composers. 

Across the street to the west of Pastini is Directors Square, a block with a popular fountain, large chess pieces, and a cafe with outdoor seating. This is one of my favorite downtown places to have a coffee and sketch people and the surroundings. In the summer months there are often day and night events held here. Some of my favorites are the dances with live music, but it's always fun to watch the toddlers play in the fountain.

A few blocks away, outside the Historical Society, this young woman cooled her heels and took a nap.  Napping people are always a pleasure to sketch.

Architecture and some Chairs

With a sketching trip in England coming up, I've been preparing by drawing some architecture.

On the Bishop's Close sketch, I practiced grays (ultramarine blue and Quinacridone Sienna) and discovered that I love Arches Watercolor Paper (several grades above my usual paper).

The Firehouse Restaurant is the first of a series of firehouses that some other sketchers and I are beginning.

These are some quick pen sketches made after going to the Farmers Market by PSU.

Parts of the Winchester Inn in Ashland were under construction when we stayed there last week.

It was wonderful to sit under an umbrella or on the porch sketching, until the heat got to be too intense. Then we headed for the plays, movies, or the air-conditioned shops.

Here's a final sketch with no architecture, but some yummy cherries and bright snapdragons.